About
27 Apr 2024
Where we draw the line

Kaaistudios (Onze-Lieve-Vrouw van Vaakstraat 81, Brussels)

Workshop for Dance Day 2024 Damaged Goods by Gaëtan Rusquet
Date: 27 and 28 April 2024
Price: €40

Where we draw the line is a workshop around the perception of the body, its limits and relation to the other. By softening the border of what one would consider as the self, we will connect, open and expand. We question where our perception originates and explore how this connects to the human or more-than-human. Where do I think my body begins, or ends, in relation to the space and the others around me? How does the energy from the ground, the taste of the air, the quality of the moment affect the exact place where I am? How can the memories in a room transform my state or the quality of my movement? How can I playfully follow that which is present and let myself be moved by invisible inputs and intuitions?

These are some of the questions which we will explore through somatic and bioenergy practices, dynamic meditation, guided improvisations and more. This workshop requires no specific skills or experience level and is open to dancers and non-dancers alike.

MORE INFO

Gaëtan Rusquet lives and works in Brussels/ After studying Applied Arts in Paris at L’ENSAAMA, he obtained a Masters degree in stage design and performance at l’ENSAV La Cambre. He works as an artist and performer in the field of performance, dance, theater and visual arts. Recently, he performed in Meg Stuart’s Celestial Sorrow and Bryan Campbell’s Square Dance, and created the costumes and scenography for Boundary Games by Léa Drouet. Currently, he is working on the scenography of Meg Stuart and Francisco Camacho’s new creation steal you for a moment (Damaged Goods/EIRA). In his artistic proposals, Rusquet focuses on the relation between the body and the space, by using a medium and the necessity of a movement linked to this. In his work, he wants to share a visual and a performative experience with the audience. Recent works include Meanwhile (2014), As We Were Moving Ahead Occasionally We Saw Brief Glimpses of Beauty (2018) and the eYe in the light in the eYe (2020, commissioned by Europalia). Currently, he is working on his research ‘the edge’, in which he explores ways of dealing with the body and liminal spaces.

02 Oct 2023
ONE SHOT with Meg Stuart and Mark Tompkins

Arts Fabrik / CCN Montpellier

Workshop organised by Arts Fabrik / CCN Montpellier in Montpellier from 2 to 6 October.

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at CN D focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

More info and registration here.

01 Sep 2023
Stories We Tell Ourselves

Tic Tac Art Centre

11-15 September 2023

'This workshop revisits movement ideas, -worlds and dimensions I was invited to develop in Meg Stuart’s work. Rather than practicing these as scores or techniques, we practice with an awareness that something else is always happening simultaneously, something bigger – even while we do not try to make it happen. In the workshop we will look at fiction as a tool to create a place for our investigations. We will talk to ourselves while moving, like children playing with imaginary toys, and make noises, as if we were creating soundtracks for movies produced on the spot. We may end up dancing like we’re alone. Emotions will inform the temperature of our involvement. We might veer into pathos, but always through a thorough search for sensibility, content and knowledge.

I have participated in several of Meg Stuart’s creations: Highway 101 (2000), Soft Wear (2000), VIOLET (2011) and confirm humanity (2022). For VIOLET, the proposition was to create a choreography that would function in the same way as alchemy. We investigate and develop movement, as if we have injected our bodies with new properties that allow us to transform and travel through other states of being. Similarly, in this workshop we will explore whether movement can take us to different dimensions – spatial, mental or temporal – and how this influences our experience of the here and now. But instead of a scientific approach, we nourish a personal and spiritual journey into what it means to dance, to move and be moved at the same time.' - Varinia Canto Vila

01 Sep 2023
Stories We Tell Ourselves

Ponderosa Stolzenhagen

1-3 September 2023

'This workshop revisits movement ideas, -worlds and dimensions I was invited to develop in Meg Stuart’s work. Rather than practicing these as scores or techniques, we practice with an awareness that something else is always happening simultaneously, something bigger – even while we do not try to make it happen. In the workshop we will look at fiction as a tool to create a place for our investigations. We will talk to ourselves while moving, like children playing with imaginary toys, and make noises, as if we were creating soundtracks for movies produced on the spot. We may end up dancing like we’re alone. Emotions will inform the temperature of our involvement. We might veer into pathos, but always through a thorough search for sensibility, content and knowledge.

I have participated in several of Meg Stuart’s creations: Highway 101 (2000), Soft Wear (2000), VIOLET (2011) and confirm humanity (2022). For VIOLET, the proposition was to create a choreography that would function in the same way as alchemy. We investigate and develop movement, as if we have injected our bodies with new properties that allow us to transform and travel through other states of being. Similarly, in this workshop we will explore whether movement can take us to different dimensions – spatial, mental or temporal – and how this influences our experience of the here and now. But instead of a scientific approach, we nourish a personal and spiritual journey into what it means to dance, to move and be moved at the same time.' - Varinia Canto Vila

10 Jul 2023
ONE SHOT with Meg Stuart and Mark Tompkins

ImPulsTanz

Workshop organised by ImPulsTanz in Vienna from 10 to 14 July.

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at CN D focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

More info here.

03 Jul 2023
Knowing and not Knowing

Tic Tac Art Centre Brussels (BE)

Meg Stuart is coming back to Tic Tac art centre in Brussels for a five day intensive workshop, 3 to 7 July 2023. Register here.

We will engage with a series of guided visualizations and extended sensorial meditations, paying special attention to subtlety and nuance. Studying movement patterns, temporal and spatial choices, we question what moves us on a physical and conceptual level. What do we gravitate towards? What do we need to let go of? What do we want to invite? Through these questions, we will explore strategies of transformation, change, and yielding, in order to find and follow new and unexpected pathways. We will investigate the borders between knowing and not knowing, abstraction and intention, images and action. Meeting each other through states of touch, shared fictions and energetic exchanges, the aim is to playfully embrace risk, and to discover the bliss of vulnerability.

01 May 2023
ONE SHOT with Meg Stuart and Mark Tompkins

Danzálava Vitoria (SP)

FWorkshop organised by Danzálava in the Artium museum at Vitoria-Gasteiz (Spain) from 1 until 5 May 2023.

Schedule: 10:00-13:00 and 14:30-17:30

Price: 200 €
Register via: danzalava@gmail.com
FULL - you can register for the waiting list

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

More info here.

17 Sep 2022
ONE SHOT with Meg Stuart and Mark Tompkins

Movement Research New York (US)

Two-day in-person workshop organised by Movement Research in New York on 17 and 18 September 2022.

Schedule: 11:00 - 17:00

Price: $175-$250
Register here.

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at CN D focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

13 Jun 2022
Professional Training Contemporary

Tanzhaus Zürich (CH)

Two morning classes by Meg Stuart, on monday 13 June and wednesday 15 June, aimed at dancers with professional skills. More info on prices and reservation here.
With live music by Mieko Suzuki.

We will engage with a series of guided visualizations and extended sensorial meditations, paying special attention to subtlety and nuance. Studying movement patterns, temporal and spatial choices, we question what moves us on a physical and conceptual level. What do we gravitate towards? What do we need to let go of? What do we want to invite? Through these questions, we will explore strategies of transformation, change, and yielding, in order to find and follow new and unexpected pathways. We will investigate the borders between knowing and not knowing, abstraction and intention, images and action. Meeting each other through states of touch, shared fictions and energetic exchanges, the aim is to playfully embrace risk, and to discover the bliss of vulnerability.

25 Apr 2022
Everyday Synchronicities

DDD Festival - Dias Do Dança (PT)

On April 25 and 26, Meg Stuart is teaching a workshop for professionals in the framework of the DDD - Festival Dias Do Dança in Porto

'In a series of guided visualizations and extended sensorial meditations, we will align ourselves with the energetic field that vibrates and moves through us paying special attention to subtlety and nuance.

We will look at our studio desires, studying our movement patterns, temporal and spatial choices; what moves us physically and conceptually? what do we gravitate towards? What do we need to let go of? What do we want to invite?
Moving these questions, we will explore strategies of transformation, change, and yielding to allow new and unexpected pathways to appear and to follow. We will investigate the borders between knowing and not knowing, abstraction and intention, images and action. We will meet each other through states of touch, shared fictions and energetic exchanges, playfully embracing risk, and discovering the bliss of vulnerability.'

Registration will open soon.

23 Apr 2022
Workshop Dance Day 2022: Authentic Bullshit

According to tradition we organize a free workshop in Brussels for Dance Day 2022, which will be taught by Jayson Batut (CASCADE) this year, in a unique setting in Decoratelier. It's the second time that Jayson is teaching with Damaged Goods and the first time we organize our own workshop in Decoratelier.

‘Authentic Bullshit’ is about playing pretend as best you can, like a child.
We learn to play again, to cheat and to lie and then to blur things, the contours, the limits. We open up our imagination to infuse it with joy and humor, and especially to escape from our QR code!
In this workshop we will try to get out of our heads and to allow our inner animal/monster/child to guide us. We will move, dance, play and work with automatic writing, both spoken and written. Censorship is not allowed.

Send an email to julie@damagedgoods.be before April 7th and let us know in min. 5 lines what your background is and why you want to participate in this workshop. The workshop is aimed at professional dancers and dance students. More info.

23 May 2022
REUNION by Mark Tompkins

May 23-28

In collaboration with Tictac Mark Tompkins has invited five improvisers : Vera Mantero, Frans Poelstra, Meg Stuart, Mark Tompkins and David Zambrano, whose paths have crossed over the past 30 years, to share a week of performances, masterclasses and conferences in where they teach, practice, perform and question improvisation and real time composition. The 2 music improvisers Gašper Piano and Peter Jacquemyn join the team.

Register here

19 Nov 2021
ONE SHOT with Meg Stuart and Mark Tompkins

Danzálava Vitoria (SP)

Workshop organised by Danzálava in the Artium museum at Vitoria-Gasteiz (Spain) from 19 until 23 November 2021.

Schedule: 10:00-13:00 and 14:30-17:30

Price: 180€
Register via: danzalava@gmail.com

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

24 Jul 2021
The Matter with Meg Stuart and Moriah Evans

Impulstanz Vienna (AT)

24.07+25.07.2021: Two-day workshop by Meg Stuart and Moriah Evans in the framework of the Impulstanz Festival.

For two days we commit ourselves to listening and the need to speak. How to articulate expression through and with the body? Stand up tips over to lie down, into sit it out and then walk it off, towards run away or hold it down, tie it together, keep it quiet. We rant and we rave. A subterranean mode of speech ready to emerge. To speak it out, to hear it out, to move the words out. Movement as a text transcribed by our necessary, unrelenting, and unfiltered questions: What decisions were forgotten after we said yes? What is after consent and the agreement? Is commitment a gift towards another, maybe to oneself? Rant and rave—the act to act out. Moving the words while being open to the live moments of shift, with no assumptions, no pre-conceptions. What can we glean from positions of desperation, healing, and resistance? Care is a commitment. Commit to listen—again and again—to feel what we are saying, to move what is held, to catalyse, to shift, to sit it out, to stand up, to walk out if necessary, to step aside, to feel and to come back again and again to the heart of the matter.

More info here.

05 Jul 2021
Four-day workshop with Meg Stuart

Lake Studio's Berlin (DE)

This summer Lake Studios will host the 5th edition of an intensive festival dedicated to submerging into specific performance works of our invited dance artists. The workshops are conceived as embodied »re-creative« labs into the making of these pieces. The artists will share their creative processes, movement techniques, choreographic / improvisational methods, and conceptual journeys through the crafting of their works.

Meg Stuart will be teaching a four-day workshop from July 5th to July 8th. More details and link to sign up will follow soon.

31 May 2021
Four morning classes

Tanzhaus Zürich (CH)

FRom May 31st to July 3rd, Meg Stuart teaches a series of four morning classes at Tanzhaus Zürich. More info on how to subscribe via their website.

During the classes, we will engage with a series of guided visualizations and extended sensorial meditations, paying special attention to subtlety and nuance. Studying movement patterns, temporal and spatial choices, we question what moves us on a physical and conceptual level. What do we gravitate towards? What do we need to let go of? What do we want to invite? Through these questions, we will explore strategies of transformation, change, and yielding, in order to find and follow new and unexpected pathways. We will investigate the borders between knowing and not knowing, abstraction and intention, images and action. Meeting each other through states of touch, shared fictions and energetic exchanges, the aim is to playfully embrace risk, and to discover the bliss of vulnerability. Live music by Mieko Suzuki.

24 May 2021
ONE SHOT with Meg Stuart and Mark Tompkins

CN D Pantin (FR)

Workshop organised by CN D Pantin in Paris from 24 until 28 of May.

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at CN D focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

Apply before May 10th, more info here.

01 Mar 2021
ONE SHOT with Meg Stuart and Mark Tompkins

Tic Tac Art Centre Brussels (BE)

A 1-week workshop from May 1st to May 5th called One Shot, dedicated to Mark and Meg's instant compositions experiences. This event is part of the collecting process by Meg and Mark within the co-writing of "One Shot", their upcoming book on improvisation.

Since 2016, Meg Stuart and Mark Tompkins have shared their passion for improvisation in radically different landscapes and contexts, giving workshops and performances, gathering texts and images to make ONE SHOT, a book about the labyrinth of real-time composition.
This intensive workshop at CN D focuses on three intertwined issues: listening, practicing and performing. Guided visualizations and extended sensorial meditations allow us to observe and study movement desires and patterns, temporal and spatial choices, and that which makes us move physically and conceptually. Starting from questions such as “What do we gravitate towards?" "What do we need to let go of?" "What do we want to invite?" Meg Stuart and Mark Tompkins explore strategies of transformation, change, and yielding, offering an encounter through touch, energetic exchanges and shared fictions. While building trust, they will embrace the interplay between risk and vulnerability, and investigate the boundaries between knowing and not knowing, abstraction and tension, image and action.

Jan 2019
Meg Stuart about teaching

When did you start teaching?
My first teaching was as a dancer for SNDO students, a technique class. Then my first workshop was at movement research, where I taught choreographic anarchy. I had all the students write their personal manifestos in choreography to question their own assumptions and preconceived ideas about making dance. I continued to teach improvisation or choreography in intensive workshop settings at Impulstanz Vienna, Forum Danca Lisbon, PARTS Brussels etc.

Which aspects of dance do you consider important to be taught?
All aspects from technique to theory to production. I think I am particularly good and interested in teaching improvisation, creating score tasks and situations for the dancer to discover their own movement language, interests, capabilities and choices. Improvisation is used as a strategy to explore body memory and physical and emotional states. There are workshops, for instance, that concentrate on how images unconsciously affect the way we move. The images used come from existing sources mixed with images we create for ourselves and images we have for our own body. Integrating these images in the work, the dancer can explore how they expand his or her imagination and physical range. With these entrances for improvisation, strategies could be discussed for their development into choreographic ideas.

How could an artist pass on his or her knowledge?
Teaching repertory is one option but I prefer to teach the particular questions behind each choreographic work, what I am interested in at the moment, what I am investigating currently, to share these questions and allow the students to discover the work for themselves without copying the choreographic material from the repertory.

What methods are you using?
I just realized when I did the book “Are we here yet?” with Jeroen Peeters that I actually had developed a whole series of exercises that I haven’t even realized they are exercises, a method that I developed during workshops and rehearsals. They are most image-based and they are for expanding people’s imaginary sphere and ways of thinking about their own body or the space. I think it is related to this fictional world primarily. Some are more technical like there is an exercise called “Ghosting yourself” where you start movements that are very intense and physical, then you keep the action but you just have the trace of emotions and situations. It is an attempt to become empty, absent, detached, a body becoming mere surface. So I give imagery scores to explore and I dance with the students knowing that physical transmission is an important one.

What do you experience while teaching new generations of dancers?
They are comfortable to improvise and open for movement processes, practices and scores and looking for their own movement language. They principally don’t need a single ideology, don’t need steps, they are thinking and curious. They consider their informed dancing bodies are meeting the work and see the workshops as a sharing of knowledge.

Dec 2015
WINLAB - Independant Dance

My work navigates the tension between dance and theatre, thought and action, remembering and forgetting. Scripts are written on our bodies: they contain unfinished histories of ourselves and others. - Meg Stuart

In this workshop, improvisation will be used as a strategy to explore body memory and physical and emotional states. We will investigate the borders between knowing and not knowing, abstraction and intention, image and action. Extending our understanding of movement vocabulary and possibilities, we will travel through energetic worlds, memory spaces and emotional landscapes. We will explore charged single actions to create collective kinetic sculptures. Moving fictions combined with physical work will be shaped into scenarios that transform and shift as we interact with others. In the various improvised scores, we will search for moments of intimacy, transgression and risk. Meg will be joined each afternoon by sound artist and composer Kaffe Matthews.

13 Feb 2015
The Great Memory Show - ArtEZ Studium General

Arnhem (NL)

Moving the archive

“A memory is a lonely, complicated and fleeting place. To revisit it, is to change it, even if preservation is every memory’s purpose.” - Tine Van Aerschot in Are we here yet?

Extracting from the research from her solo Hunter (2014), Meg Stuart’s workshop invites us to investigate our own personal archive of movement in the broadest sense. This can include personal memories from daily life, dances you might have learned, movements and gestures you hardly notice, or fictional selves and experiences as well as cultural and external influences. Extending our understanding of remembrance and its possibilities, we will travel through our memory spaces and emotional landscapes and move between the borders of knowing and not knowing, of remembering and forgetting. Where is the physical memory located in our body? How do we move from a memory and still be present in the here and now? How to articulate trauma and dead zones? As we improvise together, our personal archive evolves and is reshaped into a transpersonal and collective experience, articulating unfinished histories of ourselves and others.

The workshop took place in ROSET, Arnhem, as part of the Festival 'The Great Memory Show' by ArtEZ Studium Generale.

Nov 2013
Improvisation Intensive

Bat Yam (IL)

Arkadi Zaides/Moves Without Borders in cooperation with the Goethe-Institute Israel and with the support of the German Foreign Office in the framework of Berlin Dayz.

Jan 2013
Tanzwerkstatt Europa

Munich (DE)

BORDERBODIES

Together with the Department of Arts and Culture of the City of Munich, every year since 1991 JOINT ADVENTURES has organized TANZWERKSTATT EUROPA – workshops in the fields of contemporary dance. This time Meg Stuart holds the workshop "Borderbodies".

"My work navigates the tension between dance and theatre, thought and action, remembering and forgetting. Scripts are written on our bodies: they contain unfinished histories of ourselves and others." (Meg Stuart)

In this workshop improvisation will be used as a strategy to explore body memory and physical and emotional states. We will investigate the borders between knowing and not knowing, abstraction and intention, image and action. Stretching our understanding of how we can play with others and ourselves on stage, we will move through energetic worlds, memory spaces and emotional landscapes. Moving fictions will be shaped into physical scenarios that transform and shift as we interact with others. Travelling through improvised scores, we will search for moments of intimacy, friction and risk.

Jul 2012
Ponderosa's Witchcamp

Stolzenhagen (DE)

Together with Stephanie Maher, Lexa Rosean and their guests, Meg Stuart is teaching and performing the first week of Ponderosa's Witchcamp. The Witchcamp is a 2 weeks research meeting with intensive workshops, rituals and performances for improvisers, performers and artists interested in questions about alchemy, ritual space, clear energetic transgression, the magic of the performance moment and Pagan basics. For more information and subscription, please check Ponderosa's webite.

Jul 2012
Ponderosa's Summer school

Stolzenhagen (DE)

From June 11 to 15 Meg Stuart teaches a workshop at PONDEROSA's Summerschool 2012 in the P.O.R.C.H. / Alternative Conservatory (A.C.) programme. The Training module is collaboratively created and curated by Stephanie Maher (Ponderosa) & Kathleen Hermesdorf (La Alternativa). Together they combine and channel their forces into an immersive and intensive month. The focus is on the body and contemporary movement forms, as well as the individual co-existing with others and in nature. Co-teachers are Stephanie Maher, Kathleen Hermesdorf, Peter Pleyer, Maria F. Scaroni, Hanna Hegenscheidt. For more information and subscription, please check Ponderosa's webite.

May 2012
PEPCC Forum Dança

Lissabon (PT)

Along with Felipa Martorell, Nelson Guerreiro, Teresa Silva and others Meg Stuart is invited by Forum Dança (Lisbon) to teach in the frame of the PEPCC programme which is an intensive and advance course in international contemporary dance. The programme focusses on contents such as contemporary dance technique, yoga, chi kung, improvisation, composition and creation among other topics.

Jan 2011
eXplore Dance Festival

Bucharest (RO)

workshop at eXplore dance festival

National Museum of Contemporary Art (MNAC), Bucharest, Rumanien

“My work navigates the tension between dance and theatre, thought and action, remembering and forgetting. Scripts are written on our bodies: they contain unfinished histories of ourselves and others.” (Meg Stuart)